Rare Old Pictorial Map of York by Clark 1947: York Minster, Clifford's Tower, Shambles, Monk Bar, Jorvik
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
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Gift message & custom finish

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Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!

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Historic York is Estra Clark’s 1947 celebratory portrait of the city, published in York by Ben Johnson & Co., and it brims with narrative captions that stitch streets to centuries. A city thematic and pictorial chart, it arrays landmarks as lively vignettes—York Minster, Clifford’s Tower, and the Castle Museum—while tracing the medieval circuit of York’s City Walls with a storyteller’s flair. Clark’s eye for incident and anecdote makes it a notably engaging city map: the page becomes a promenade where place names summon episodes, guilds, saints, and sieges. From the markets around The Shambles to the civic threshold of The Stonebow, the plan balances orientation with drama. Even the city’s Viking legacy is foregrounded, with Coppergate and the story now associated with the Jorvik Viking Centre anchoring the earliest strata of York’s past.
The heart of ecclesiastical York radiates from the Minster, its vast mass rising above High Petergate and Stonegate, where clerics and crafts once shared cobbles. Clark clusters Holy Trinity Church, All Saints Church, and St. Mary’s Church into a constellation of spires and porches, each annotated with crisp, compact notes that tether architecture to memory. The Treasurer’s House appears steps from the Minster precinct, suggesting the intricate weave of sacred and domestic power. Kings Square, a pivot between Petergate, Grape Lane, and Newgate, serves as a hinge to the market alleys that lead toward The Shambles, their timbered fronts rendered with affectionate detail. The effect is both map and walking narrative—an invitation to read theology, trade, and topography in the same breath.
Fortification and monarchy command the map’s southern drama. York Castle and its emblematic mound crowned by Clifford’s Tower are set off against Tower Street and the Castle Museum, a tableau of authority repurposed into civic memory. The City Walls march in a near-complete loop, punctuated by Monk Bar, Walmgate Bar, and Fishergate Bar, with the Red Tower flaring like a brick exclamation at the city’s edge. Clark lavishes attention on these thresholds, noting their roles in defense, ceremony, and daily life. The Barbican at Walmgate Bar and The Stonebow’s civic gate reinforce York’s layered gates within gates. As the walls skirt riverbanks—where the Ouse and Foss converge—the map shows how water and stone have long choreographed movement, commerce, and siegecraft around the city.
Commerce, craft, and conviviality animate the central streets. Merchant Adventurers’ Hall anchors the mercantile story, bridging river trade and guild authority, while Blake Street, Market Street, and Tanner Row sketch a city of shops, tanners, and warehouses. Skeldergate and Rougier Street nod to quayside bustle, and Grape Lane, Hare Lane, and Poorhouse Lane preserve the wry and workaday language of past livelihoods. The Black Swan, a storied inn, stands as a hospitable landmark amid this urban weave, echoing the sociability that fueled York’s markets and fairs. Clark’s captions and pictorial façades turn façades into characters—the Shambles’ butchers’ stalls, Coppergate’s excavated sagas—so that every corner promises a tale, every name a footnote in motion.
Clark’s authorship adds a final layer of allure. A York-based commercial illustrator, she specialized in historic maps of English cities and regions, extending her range to biblical antiquity with an Old Testament map of the Holy Lands. In Historic York she fuses clarity with charm: bright palettes, crisp linework, and playful vignettes that never sacrifice legibility. Published locally, the map feels rooted—attentive to byways like Whip-Ma-Whop-Ma-Gate and Upper Friargate, as much as to marquee sites like York Minster and Merchant Adventurers’ Hall. It is a notably successful city map because it compresses centuries of conflict, devotion, and trade into a coherent, walkable story—guiding the eye from Aldwark to Peasholme Green, from Monkgate to Walmgate—while keeping the city’s living pulse at the fore.
Streets and roads on this map
- Aldwark
- Barbican
- Blake Street
- Coppergate
- Friargate
- Grape Lane
- Hare Lane
- High Petergate
- Kings Square
- Lawrence Street
- Market Street
- Micklegate
- Monkgate
- Museum Street
- Newgate
- Peasholme Green
- Petergate
- Poorhouse Lane
- Rougier Street
- Skeldergate
- Stonegate
- Tanner Row
- The Stonebow
- Tower Street
- Upper Friargate
- Walmgate
- Walmgate Bar
- Whip-Ma-Whop-Ma-Gate
- York Road
Notable Features & Landmarks
- All Saints Church
- The Abbey
- The Black Swan
- Castle Museum
- Clifford's Tower
- Fishergate Bar
- Holy Trinity Church
- Jorvik Viking Centre
- Monk Bar
- Merchant Adventurers' Hall
- St. Mary's Church
- The Red Tower
- The Shambles
- Treasurer's House
- York Castle
- York Minster
- York's City Walls
Historical and design context
- Created by Estra Clark in 1947; published by Ben Johnson & Co. in York.
- Estra Clark was a commercial illustrator from York, known for producing historic maps of English cities and regions, including an Old Testament map of the Holy Lands.
- City Thematic and Pictorial map characterized by an artistic, illustrative style with vibrant colors, detailed landmark drawings, and whimsical depictions of historical events.
- Depicts buildings, landmarks, sites of significant events, the city walls, and narrative descriptions throughout.
- Serves as a visual representation of York’s rich history and architectural heritage, highlighting the significance of key sites and structures.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 5-year guarantee.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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Historic York is Estra Clark’s 1947 celebratory portrait of the city, published in York by Ben Johnson & Co., and it brims with narrative captions that stitch streets to centuries. A city thematic and pictorial chart, it arrays landmarks as lively vignettes—York Minster, Clifford’s Tower, and the Castle Museum—while tracing the medieval circuit of York’s City Walls with a storyteller’s flair. Clark’s eye for incident and anecdote makes it a notably engaging city map: the page becomes a promenade where place names summon episodes, guilds, saints, and sieges. From the markets around The Shambles to the civic threshold of The Stonebow, the plan balances orientation with drama. Even the city’s Viking legacy is foregrounded, with Coppergate and the story now associated with the Jorvik Viking Centre anchoring the earliest strata of York’s past.
The heart of ecclesiastical York radiates from the Minster, its vast mass rising above High Petergate and Stonegate, where clerics and crafts once shared cobbles. Clark clusters Holy Trinity Church, All Saints Church, and St. Mary’s Church into a constellation of spires and porches, each annotated with crisp, compact notes that tether architecture to memory. The Treasurer’s House appears steps from the Minster precinct, suggesting the intricate weave of sacred and domestic power. Kings Square, a pivot between Petergate, Grape Lane, and Newgate, serves as a hinge to the market alleys that lead toward The Shambles, their timbered fronts rendered with affectionate detail. The effect is both map and walking narrative—an invitation to read theology, trade, and topography in the same breath.
Fortification and monarchy command the map’s southern drama. York Castle and its emblematic mound crowned by Clifford’s Tower are set off against Tower Street and the Castle Museum, a tableau of authority repurposed into civic memory. The City Walls march in a near-complete loop, punctuated by Monk Bar, Walmgate Bar, and Fishergate Bar, with the Red Tower flaring like a brick exclamation at the city’s edge. Clark lavishes attention on these thresholds, noting their roles in defense, ceremony, and daily life. The Barbican at Walmgate Bar and The Stonebow’s civic gate reinforce York’s layered gates within gates. As the walls skirt riverbanks—where the Ouse and Foss converge—the map shows how water and stone have long choreographed movement, commerce, and siegecraft around the city.
Commerce, craft, and conviviality animate the central streets. Merchant Adventurers’ Hall anchors the mercantile story, bridging river trade and guild authority, while Blake Street, Market Street, and Tanner Row sketch a city of shops, tanners, and warehouses. Skeldergate and Rougier Street nod to quayside bustle, and Grape Lane, Hare Lane, and Poorhouse Lane preserve the wry and workaday language of past livelihoods. The Black Swan, a storied inn, stands as a hospitable landmark amid this urban weave, echoing the sociability that fueled York’s markets and fairs. Clark’s captions and pictorial façades turn façades into characters—the Shambles’ butchers’ stalls, Coppergate’s excavated sagas—so that every corner promises a tale, every name a footnote in motion.
Clark’s authorship adds a final layer of allure. A York-based commercial illustrator, she specialized in historic maps of English cities and regions, extending her range to biblical antiquity with an Old Testament map of the Holy Lands. In Historic York she fuses clarity with charm: bright palettes, crisp linework, and playful vignettes that never sacrifice legibility. Published locally, the map feels rooted—attentive to byways like Whip-Ma-Whop-Ma-Gate and Upper Friargate, as much as to marquee sites like York Minster and Merchant Adventurers’ Hall. It is a notably successful city map because it compresses centuries of conflict, devotion, and trade into a coherent, walkable story—guiding the eye from Aldwark to Peasholme Green, from Monkgate to Walmgate—while keeping the city’s living pulse at the fore.
Streets and roads on this map
- Aldwark
- Barbican
- Blake Street
- Coppergate
- Friargate
- Grape Lane
- Hare Lane
- High Petergate
- Kings Square
- Lawrence Street
- Market Street
- Micklegate
- Monkgate
- Museum Street
- Newgate
- Peasholme Green
- Petergate
- Poorhouse Lane
- Rougier Street
- Skeldergate
- Stonegate
- Tanner Row
- The Stonebow
- Tower Street
- Upper Friargate
- Walmgate
- Walmgate Bar
- Whip-Ma-Whop-Ma-Gate
- York Road
Notable Features & Landmarks
- All Saints Church
- The Abbey
- The Black Swan
- Castle Museum
- Clifford's Tower
- Fishergate Bar
- Holy Trinity Church
- Jorvik Viking Centre
- Monk Bar
- Merchant Adventurers' Hall
- St. Mary's Church
- The Red Tower
- The Shambles
- Treasurer's House
- York Castle
- York Minster
- York's City Walls
Historical and design context
- Created by Estra Clark in 1947; published by Ben Johnson & Co. in York.
- Estra Clark was a commercial illustrator from York, known for producing historic maps of English cities and regions, including an Old Testament map of the Holy Lands.
- City Thematic and Pictorial map characterized by an artistic, illustrative style with vibrant colors, detailed landmark drawings, and whimsical depictions of historical events.
- Depicts buildings, landmarks, sites of significant events, the city walls, and narrative descriptions throughout.
- Serves as a visual representation of York’s rich history and architectural heritage, highlighting the significance of key sites and structures.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

