John Norman’s Plan of the Town of Boston, with the Attack on Bunker’s Hill (1782) is the first printed map of the Battle of Bunker’s Hill and one of the earliest American-engraved plans of the Revolutionary War. Spanning the entire expanse of Boston and the Charlestown peninsula, the plan fuses urgent reportage with deliberate cartography, presenting a pivotal moment of June 17, 1775 in remarkable detail. An engraved key identifies significant streets and landmarks, guiding the eye from Long Wharf and the Mill Pond across the Charles River to the contested heights. As a document of both strategy and urban memory, it preserves the city’s pre-war fabric while fixing in copper the clash that transformed the conflict from protest to pitched war.

At the center stands Bunker’s Hill, where the American redoubt and contiguous American fortifications bristle against converging British regulars. The map clearly delineates the positions attributed to William Prescott and Israel Putnam, whose improvised defenses and disciplined fire shocked the advancing lines. British assaults from the land side are reinforced by English fortifications and the North and South Batteries, while the Royal Naval squadron in the Charles River and Boston Harbor lashes the American flank and rear with enfilading fire. Norman’s geometry of approach vectors and fields of fire renders the peninsula’s constricted topography a protagonist—showing why the fight was both costly to the British and galvanizing to the Americans.

Equally compelling is the portrait of a living town caught in calamity. Charlestown in flames is shown with devastating immediacy—rows of buildings consumed under bombardment. Across Boston, the engraved key names a lattice of streets and civic anchors: Charter Street threading the North End; Long Wharf thrusting into the harbor; Windmill Point and the Mill Pond shaping the shoreline; School Hill and Barracks Point marking local relief and encampment sites. Significant structures—the Old North Church, Trinity Church, the Old Meeting House, the Town Hall, the Government House, the New State House, and the Academy—appear not as abstractions but as recognizable forms. The effect is to juxtapose a precise urban plan with the sudden erasure of Charlestown’s fabric, underscoring the battle’s human and municipal cost.

Norman’s engraving marries reportage to artistry. Buildings are crisply articulated, shorelines and causeways carefully rendered, and the keyed nomenclature brings order to chaos. Created by a craftsman known for The American Pilot, this plan embodies a moment when American cartography stepped out from English tutelage to assert its own narrative of the war. Issued in 1782, as the conflict’s outcome came into view, it offers a distinctly American vantage on events that earlier European prints treated at a remove. Its extreme rarity and early American imprint confer singular importance, but its power lies equally in the lucidity with which it interprets an unfolding battlefield.

As history, the map distills the paradox of Bunker’s Hill: a tactical British gain at extraordinary cost that fortified American morale and myth. The Charles River’s channels, the sweep of Boston Harbor, and the placement of the North and South Batteries explain how artillery and tide boxed the provincials even as their redoubt held. From Windmill Point to the North Battery, from the Work House to the Government House, one can trace the intertwined paths of soldiers and citizens, of maneuver and municipal life. This plan reads as tactical study, urban elegy, and national prologue—an indispensable witness to the day Boston’s environs announced the war’s terrible seriousness and the colonies’ unshakable resolve.

Places on this map

• Bunker’s Hill
• Charlestown
• Charles River
• Boston Harbor
• School Hill
• American Fortifications
• English Fortifications
• Barracks Point
• Academy
• Mill Pond
• North and South Batteries
• New State House
• Charter Street
• Old Meeting House
• Trinity Church
• Work House
• Government House
• North Battery
• Long Wharf
• Windmill Point

Notable Features & Landmarks

• Bunker’s Hill: Position of American troops and redoubt
• Charlestown in Flames: Indication of destruction from British bombardment
• American Forces: Notable placement of troops under William Prescott and Israel Putnam
• British Regular Troops: Shown advancing towards American positions
• Royal Naval Squadron: Boats depicted in Charles River and Boston Harbor firing upon American lines
• Major Streets: Key streets labeled, showing urban planning of Boston at the time
• Significant Structures: The Old North Church, Town Hall, and other prominent buildings marked
• Key Landmarks: Including Windmill Point and various historic churches and meeting houses
• Artistic Features: The cartography presents a detailed rendering of buildings and landscape

Historical and design context

• Title: Plan of the Town of Boston, with the Attack on Bunker's Hill, in the Peninsula of Charlestown the 17th of June 1775.
• Mapmaker: Created by John Norman in 1782.
• Historical Significance: First printed map of the Battle of Bunker’s Hill; extremely rare American engraved plan.
• Context about Mapmaker: John Norman was among the first important American mapmakers post-Independence, known for the American Pilot and transitioning from English to American cartography.
• Themes and Topics: Depicts the ongoing Battle of Bunker’s Hill, British troop movements, American defenses, and the destruction of Charlestown from bombardment.
• Geographical Coverage: Entire area of Boston and Charlestown, Massachusetts.
• Design and Style: Historically thematic, featuring an engraved key that names significant locations and streets.
• Historical Context: Captures a pivotal moment in the Revolutionary War, highlighting military strategies and urban destruction.

Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.

This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.

This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.

This map is taller than most, which would make it a perfect statement piece in a panelled room, on a gallery wall, or perhaps alongside another tall piece of art or furniture.

The fifth listing image shows an example of my map personalisation service.

If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.

Please contact me to check if a certain location, landmark or feature is shown on this map.

This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.

This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.

For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.

Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.

Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.

We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.

• We can deliver directly to the recipient
• Framed pieces arrive ready to hang
• Unframed prints are carefully packed in a strong protective tube
• Almost every order is made locally, for faster, safer gifting
• 90-day returns give the recipient time to decide

If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

My maps are extremely high quality reproductions of original maps.

I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.

My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.

I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.

I can also make maps on canvas, cotton rag and other exotic materials.

Learn more about The Unique Maps Co.

Map personalisation

If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.

The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.

To order a personalised map, select "personalise your map" before adding it to your basket.

Get in touch if you're looking for more complex customisations and personalisations.

Map ageing

I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.

Well, now you can, by selecting Aged before you add a map to your basket.

All the product photos you see on this page show the map in its Original form. This is what the map looks like today.

If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!

If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.

See some amazing examples of Aged maps.

If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.

I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.

I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.

Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.