Large Old Map of Ferrara, Italy by Bolzoni, 1747: Este Castle, Duomo, Erculea, walls, Po-Volano
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Valid on all standard maps and fine art prints. You can mix and match any designs.
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Custom and bespoke commissions are excluded.
Contact us if you have any questions
20% off 2 — 33% off 3
Add any two eligible items to your bag to receive 20% off. Add a third and it will be complimentary (equivalent to 33% off when purchasing three).
No code needed — the offer applies automatically at checkout.
Valid on all standard maps and fine art prints. You can mix and match any designs.
If you’d like to ship items to multiple addresses, please contact us before placing your order.
Custom and bespoke commissions are excluded.
Contact us if you have any questions
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Gift message & custom finish

If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!

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“Pianta ed alzato della città di Ferrara” offers a rare, double-voiced portrait of the city in 1782: a meticulous ground plan paired with a sweeping elevation that makes Ferrara both legible and luminous. Revised by Giambattista Galli from Andrea Bolzoni’s respected 1747 survey, it records a city balancing medieval inheritance with Enlightenment order. The plan’s precision, keyed by a detailed legend, captures streets, squares, and the full circuit of fortifications, while the prospect assembles the principal monuments into a coherent skyline. Few city maps so deftly reveal how Ferrara’s Renaissance ambitions—the celebrated Addizione Erculea—sit against its older core, thus making this an especially notable urban map for readers of planning history and architectural form.
The plan view isolates Ferrara’s urban grammar with striking clarity. The central grid radiating from the Renaissance expansion contrasts with the denser weave of lanes around the cathedral and market quarter. Major axes—Corso Ercole I d’Este drawing a regal northward line, Corso Porta Mare opening east, and Corso Porta Renata aiming toward the southern gate—anchor the city’s movement. Encircling bastions, moats, and walls form a strategic carapace, their angles and curtains crisply engraved. Squares punctuate the fabric as measured voids, balancing civic life with circulation. Read together, these components turn the map into a study in urban equilibrium, where ceremonial processions, commerce, and defense are each allotted their geometry.
The companion elevation translates cartographic data into architecture’s theater. Castello Estense rises with its unmistakable moats and towers; the Cathedral of San Giorgio steps forward in measured ranks; palatial fronts, notably along the Ercole axis, assert their rhythm; and the great monastic houses—San Benedetto, San Francesco—stand as spiritual anchors. The engraver’s Baroque sensibility shows in the ornamental cartouche and the calibrated play of light across façades, yet the selection and ordering of buildings remain rigorously informative. By aligning specific elevations to the ground plan’s numbering, the map creates a didactic instrument: one can traverse Ferrara in plan, then confirm each landmark by sight, an invaluable aid for scholars and connoisseurs alike.
Street by street, the city’s lived texture emerges. Via San Romano courses through the mercantile heart toward the cathedral’s piazza, while Via Garibaldi and Via Carlo Mayr braid civic and residential life. The network of devotional axes—Via San Francesco, Via San Benedetto, Via San Giovanni, Via San Lorenzo—reveals how parish boundaries organized daily rhythms. Along Via Giuseppe Mazzini, the historic Jewish quarter concentrates within the old core, its proximity to markets and workshops apparent. Westward, Via Montebello and Via Bersaglieri thread newer neighborhoods, as Via Argentini and Via Vittorio Veneto articulate secondary cross-currents. Each thoroughfare is fixed within the legend’s taxonomy, tying landmarks and squares into a navigable system that makes this a model city plan for close urban reading.
Water and green structure the map’s final, persuasive argument. The Po di Volano and subsidiary canals feed moats and mills, shaping both economy and defense, while the grassy glacis beyond the bastions promises air and promenade. Corso Ercole I d’Este reads as a grand, tree-lined processional linking courtly palaces to the northern edge, and the broad, oval piazza of the Renaissance quarter offers calibrated space for spectacle. Galli’s revision acknowledges changes since Bolzoni’s 1747 template, quietly registering new edifices, refined alignments, and the rationalization of public spaces. In sum, this is a city at poised transition—its fortressed silhouette intact, its streets increasingly ordered—captured in a map whose artistry serves the most exacting urban intelligence.
Streets and roads on this map
- Corso Ercole I d'Este
- Corso Porta Mare
- Corso Porta Renata
- Via Argentini
- Via Bersaglieri
- Via Carlo Mayr
- Via Garibaldi
- Via Giuseppe Mazzini
- Via Montebello
- Via San Romano
- Via San Gregorio
- Via San Benedetto
- Via San Francesco
- Via San Giovanni
- Via San Lorenzo
- Via Vittorio Veneto
Notable Features & Landmarks
- Central urban grid layout
- Elevation of significant buildings
- Fortifications and walls surrounding the city
- Decorative cartouche with engravings
- Key landmarks and squares
- Legend identifying various features
- Visual representations of key monuments
Historical and design context
- Date of creation: 1782
- Dual representation: detailed plan view alongside an elevation/prospect, reflecting streets, squares, fortifications, and key monuments; updated edition revising the 1747 original and documenting urban changes
- Mapmaker/publisher: [s.n.] (not specified), revised by Giambattista Galli
- Original cartographer: Andrea Bolzoni; Galli’s revision underscores the period’s emphasis on accurate urban documentation
- Themes shown: urban planning, architecture, and the development of public spaces, with emphasis on fortifications and major landmarks
- Design/style: detailed street layouts, notation of significant buildings, illustrative elevation; Baroque influences with ornate decorative elements
- Geographic focus: the city of Ferrara, Italy
- Historical significance: insight into Ferrara’s urban development and fortifications during a transformative period in Italy; valuable for historical and architectural studies
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 36in (90cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x16in (40x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 5-year guarantee.
My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.
I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.
Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.
Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.
All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
See some examples of my framed maps and framed canvas maps.
Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.
If you want to frame your map or artwork yourself, please read my size guide first.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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“Pianta ed alzato della città di Ferrara” offers a rare, double-voiced portrait of the city in 1782: a meticulous ground plan paired with a sweeping elevation that makes Ferrara both legible and luminous. Revised by Giambattista Galli from Andrea Bolzoni’s respected 1747 survey, it records a city balancing medieval inheritance with Enlightenment order. The plan’s precision, keyed by a detailed legend, captures streets, squares, and the full circuit of fortifications, while the prospect assembles the principal monuments into a coherent skyline. Few city maps so deftly reveal how Ferrara’s Renaissance ambitions—the celebrated Addizione Erculea—sit against its older core, thus making this an especially notable urban map for readers of planning history and architectural form.
The plan view isolates Ferrara’s urban grammar with striking clarity. The central grid radiating from the Renaissance expansion contrasts with the denser weave of lanes around the cathedral and market quarter. Major axes—Corso Ercole I d’Este drawing a regal northward line, Corso Porta Mare opening east, and Corso Porta Renata aiming toward the southern gate—anchor the city’s movement. Encircling bastions, moats, and walls form a strategic carapace, their angles and curtains crisply engraved. Squares punctuate the fabric as measured voids, balancing civic life with circulation. Read together, these components turn the map into a study in urban equilibrium, where ceremonial processions, commerce, and defense are each allotted their geometry.
The companion elevation translates cartographic data into architecture’s theater. Castello Estense rises with its unmistakable moats and towers; the Cathedral of San Giorgio steps forward in measured ranks; palatial fronts, notably along the Ercole axis, assert their rhythm; and the great monastic houses—San Benedetto, San Francesco—stand as spiritual anchors. The engraver’s Baroque sensibility shows in the ornamental cartouche and the calibrated play of light across façades, yet the selection and ordering of buildings remain rigorously informative. By aligning specific elevations to the ground plan’s numbering, the map creates a didactic instrument: one can traverse Ferrara in plan, then confirm each landmark by sight, an invaluable aid for scholars and connoisseurs alike.
Street by street, the city’s lived texture emerges. Via San Romano courses through the mercantile heart toward the cathedral’s piazza, while Via Garibaldi and Via Carlo Mayr braid civic and residential life. The network of devotional axes—Via San Francesco, Via San Benedetto, Via San Giovanni, Via San Lorenzo—reveals how parish boundaries organized daily rhythms. Along Via Giuseppe Mazzini, the historic Jewish quarter concentrates within the old core, its proximity to markets and workshops apparent. Westward, Via Montebello and Via Bersaglieri thread newer neighborhoods, as Via Argentini and Via Vittorio Veneto articulate secondary cross-currents. Each thoroughfare is fixed within the legend’s taxonomy, tying landmarks and squares into a navigable system that makes this a model city plan for close urban reading.
Water and green structure the map’s final, persuasive argument. The Po di Volano and subsidiary canals feed moats and mills, shaping both economy and defense, while the grassy glacis beyond the bastions promises air and promenade. Corso Ercole I d’Este reads as a grand, tree-lined processional linking courtly palaces to the northern edge, and the broad, oval piazza of the Renaissance quarter offers calibrated space for spectacle. Galli’s revision acknowledges changes since Bolzoni’s 1747 template, quietly registering new edifices, refined alignments, and the rationalization of public spaces. In sum, this is a city at poised transition—its fortressed silhouette intact, its streets increasingly ordered—captured in a map whose artistry serves the most exacting urban intelligence.
Streets and roads on this map
- Corso Ercole I d'Este
- Corso Porta Mare
- Corso Porta Renata
- Via Argentini
- Via Bersaglieri
- Via Carlo Mayr
- Via Garibaldi
- Via Giuseppe Mazzini
- Via Montebello
- Via San Romano
- Via San Gregorio
- Via San Benedetto
- Via San Francesco
- Via San Giovanni
- Via San Lorenzo
- Via Vittorio Veneto
Notable Features & Landmarks
- Central urban grid layout
- Elevation of significant buildings
- Fortifications and walls surrounding the city
- Decorative cartouche with engravings
- Key landmarks and squares
- Legend identifying various features
- Visual representations of key monuments
Historical and design context
- Date of creation: 1782
- Dual representation: detailed plan view alongside an elevation/prospect, reflecting streets, squares, fortifications, and key monuments; updated edition revising the 1747 original and documenting urban changes
- Mapmaker/publisher: [s.n.] (not specified), revised by Giambattista Galli
- Original cartographer: Andrea Bolzoni; Galli’s revision underscores the period’s emphasis on accurate urban documentation
- Themes shown: urban planning, architecture, and the development of public spaces, with emphasis on fortifications and major landmarks
- Design/style: detailed street layouts, notation of significant buildings, illustrative elevation; Baroque influences with ornate decorative elements
- Geographic focus: the city of Ferrara, Italy
- Historical significance: insight into Ferrara’s urban development and fortifications during a transformative period in Italy; valuable for historical and architectural studies
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
Please note: the labels on this map are hard to read if you order a map that is 36in (90cm) or smaller. The map is still very attractive, but if you would like to read the map easily, please buy a larger size.
The model in the listing images is holding the 16x16in (40x40cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

