The "Sweden and Norway" map, created by the illustrious John Tallis in 1855, is a breathtaking example of 19th-century cartographic artistry. Tallis, renowned for his highly decorative maps, has imbued this piece with intricate details and vibrant full-color illustrations. The map not only delineates the political boundaries of Sweden and Norway but also captures the essence of the regions through exquisite vignettes. These illustrations depict significant cultural and social scenes, such as Norwegian Laplanders, iron mines in Dannemora Upsala, and the traditional peasantry of both nations, offering a rich tapestry of historical context.
John Tallis was one of the last great decorative mapmakers, and his works are celebrated for their artistic quality and historical significance. This map, engraved for R. Montgomery Martin's Illustrated Atlas, is a testament to Tallis's meticulous craftsmanship and his ability to blend geographical precision with artistic beauty. The inclusion of vignettes showing Stockholm, Norwegian skielobere or skate runners, and peasants of Sweden adds a layer of cultural depth, making this map not just a navigational tool but a window into the mid-19th-century Scandinavian life.
The map's geographical details are equally compelling. It features the rugged Scandinavian Mountains, the vast expanse of the Atlantic Ocean, and the serene waters of the Baltic Sea. The political boundaries are meticulously drawn, showcasing the distinct territories of Sweden and Norway. The map also highlights significant bodies of water such as the Skagerrak strait, adding to its navigational utility. The depiction of Oslo as "Christiania" is particularly noteworthy, reflecting historical naming conventions before the city's official renaming in 1925.
The cities and towns detailed on this map provide a fascinating glimpse into the urban landscape of the time. Major Swedish cities like Stockholm, Gothenburg, and Malmö are prominently featured, alongside important Norwegian settlements such as Christiania (Oslo), Bergen, and Trondheim. These urban centers, each with their unique historical and cultural significance, are intricately mapped, offering insights into the region's development and urbanization during the 19th century.
This map's design and style are quintessentially Tallis, with its ornate borders and finely engraved details. The decorative elements, combined with the precise geographical information, make this map a prized possession for collectors and history enthusiasts alike. The historical significance of the map is further enhanced by its depiction of traditional activities and indigenous scenes, providing a rich narrative of the Scandinavian cultural landscape. This map is not just a representation of geography but a piece of history, capturing the essence of Sweden and Norway in a bygone era.
Cities and towns on this map
- Sweden:
- Stockholm
- Gothenburg (Göteborg)
- Malmö
- Uppsala
- Helsingborg
- Norrköping
- Västerås
- Örebro
- Linköping
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Jönköping
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Norway:
- Christiania (Oslo)
- Bergen
- Trondheim (Trondhjem)
- Stavanger
Notable Features & Landmarks
- Illustrations:
- Stockholm
- Norwegian Laplanders
- Iron mines in Dannemora Upsala
- Norwegian peasantry
- Norwegian skielobere or skate runners
- Peasants of Sweden
- Bodies of water:
- Atlantic Ocean
- Baltic Sea
- Skagerrak
- Borders:
- Political boundaries between Sweden and Norway
- Mountains:
- Scandinavian Mountains (Scandes)
Historical and design context
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Full-color example: The map is a gorgeous full-color example.
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Decorative vignettes: Includes decorative vignettes showing:
- Stockholm
- Norwegian Laplanders
- Iron mines in Dannemora Upsala
- Norwegian peasantry
- Norwegian skielobere or skate runners
- Peasants of Sweden
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Significance of skiing vignette: The vignette showing skiing is of particular significance.
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Oslo's historical name: Oslo is labeled as "Christiania"; it wouldn't officially be renamed Oslo until 1925.
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Illustrated Atlas: Engraved for R. Montgomery Martin's Illustrated Atlas.
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Mapmaker: John Tallis was one of the last great decorative map makers. His maps are prized for the wonderful vignettes of indigenous scenes, people, etc.
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Date of creation: 1855
- Design or style of the map:
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Decorative elements: The map is highly decorative with intricate border designs and detailed vignettes.
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Engraving style: It features an engraving style typical of the mid-19th century.
- Historical significance or context:
- The map provides a snapshot of Sweden and Norway in the mid-19th century, offering insights into the geographical and cultural landscape of the time.
- The depiction of Oslo as "Christiania" reflects historical naming conventions prior to the city's official renaming in 1925.
- The inclusion of vignettes highlights the cultural and social aspects of the regions, adding depth to the historical understanding of the area.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 18x24in (45x60cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.