Rosa Pomponia by Pierre Joseph Redouté, 1817
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1817 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in the USA
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1817 e stampata in qualità museale. Descrizione completa
Guida alle dimensioni delle mappe
Le mappe con dettagli intricati si apprezzano al meglio in formati più grandi, che permettono di valorizzare maggiormente i toponimi e gli elementi più piccoli. Ogni mappa è realizzata su ordinazione, quindi è disponibile anche il formato personalizzato: seleziona 'custom size' nella pagina prodotto e inserisci le tue dimensioni, oppure aggiungile alle note dell'ordine al momento del checkout.
La tua mappa occupa l'intero foglio, senza alcun bordo bianco aggiuntivo. Il design viene presentato come mostrato nelle immagini del prodotto. Per richiedere spazio extra intorno alla mappa, ti invitiamo a contattarci oppure a lasciare una nota con il tuo ordine.
Confronta qui sotto una selezione dei nostri formati standard, mostrati in orientamento orizzontale e verticale.
| 16x12in (40x30cm) | 20x16in (50x40cm) | 24x18in (60x45cm) |
36x24in (90x60cm) |
| 12x16in (30x40cm) | 16x20in (40x50cm) | 18x24in (45x60cm) |
24x36in (60x90cm) |
Mappe con cornice
Le nostre cornici standard aggiungono circa 2 cm (0,75 in) per lato. Ad esempio, una mappa da 45x60 cm misura circa 49x64 cm cornice inclusa, mentre una mappa da 24x36 in misura circa 25,5x37,5 in. Tieni conto di queste dimensioni esterne quando misuri lo spazio sulla parete.
Le mappe oltre 125 cm/50 in hanno generalmente cornici più larghe. Per una larghezza o uno stile di cornice specifici, scopri le nostre opzioni di incorniciatura personalizzata.
Mappe senza cornice
Hai intenzione di incorniciare la tua mappa autonomamente? Le indicazioni qui sotto ti aiuteranno a scegliere la soluzione giusta, in particolare per mappe di grandi dimensioni e formati meno convenzionali.
Scegliere una cornice adatta
Utilizza le dimensioni indicate per la mappa scelta per selezionare una cornice. Considera la misura dell'opera che la cornice può contenere, piuttosto che le dimensioni esterne della cornice stessa.
Ad esempio, una mappa da 18x24 pollici richiede una cornice che 'fits artwork' di 18x24 pollici. Per una mappa da 60x90 cm, scegli una cornice adatta a un'opera da 60x90 cm.
Per i formati insoliti, come 24x11 pollici (61x29 cm), consigliamo di attendere l'arrivo della mappa prima di ordinare una cornice. Le dimensioni possono variare di qualche millimetro, quindi misurare prima la stampa aiuterà a garantire una perfetta vestibilità.
Per una mappa che deve adattarsi a dimensioni esatte in centimetri o pollici, vi preghiamo di contattarci. Il ridimensionamento su misura è disponibile senza costi aggiuntivi per mappe superiori a 50in/125cm.
Incorniciare mappe di grandi dimensioni
Prima di ordinare una cornice separata per una mappa di grandi dimensioni, attendete l’arrivo della stampa e misuratela. In questo modo avrete le dimensioni necessarie per scegliere una cornice con sicurezza.
Se vi rivolgete a un corniciaio locale, portate con voi la mappa così potrà misurarla e realizzare una cornice su misura.
Un montaggio accurato aiuta le mappe di grandi dimensioni a rimanere ben distese e riduce il rischio di ondulazioni. Per un risultato con finitura professionale, saremo lieti di incorniciare la vostra mappa per voi.
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
- Prodotto in the USA. Consegna sicura
- Arriva perfetto, altrimenti lo sostituiamo
- Consegna il giorno successivo disponibile
- Serve aiuto per ordinare? Chiama, invia un SMS o WhatsApp
La scelta di collezionisti, designer e di chi cerca un regalo speciale
Oltre 8.000 recensioni a 5 stelle
Pierre-Joseph Redouté’s Rosa Pomponia, dated 1817, gives a compact spray of pink roses the clarity and presence of a formal portrait. Three...
Continua a leggerePierre-Joseph Redouté’s Rosa Pomponia, dated 1817, gives a compact spray of pink roses the clarity and presence of a formal portrait. Three densely petalled blossoms gather near the centre, accompanied by tight buds, serrated leaves and slender, thorned stems. The plant leans gently to the right rather than conforming to a rigid symmetry, while the surrounding cream ground leaves every contour unusually exposed. Soft colour and exacting observation work together: the flowers are decorative, but their structure remains scrupulously described.
The study belongs to Redouté’s celebrated floral work published between 1817 and 1824, a period in which botanical illustration served both scientific enquiry and a growing cultivated taste for flowers. Redouté was among the most admired botanical painters of the early nineteenth century, known for reconciling close natural observation with exceptionally poised compositions. His career unfolded within the rarefied world of French botanical publishing and courtly patronage, yet his flower studies avoid theatrical settings. Isolated on pale grounds, their subjects appear at once as specimens to be examined and individual forms worthy of sustained aesthetic attention.
A closer look
The blossoms form the visual centre of gravity. Their many overlapping petals move from warm, concentrated pink in the folded interiors to paler tones along the outer edges. Gentle tonal transitions give each flower a rounded, almost weightless volume, without the dramatic shadows of a conventional still life. One bloom turns sufficiently towards the viewer to reveal its intricate centre, while the neighbouring flowers shift in angle, preventing the cluster from becoming repetitive.
Below and around the roses, the foliage introduces a firmer rhythm. The leaves are built from sharply notched margins and fine networks of veins, with greens ranging from fresh, yellow-tinged notes to deeper shaded passages. Small highlights suggest their smoother upper surfaces, while the stems carry minute prickles that are easy to miss beside the more immediately appealing flowers. At the upper left, two unopened buds provide a quiet counterpoint to the fully expanded blooms, allowing different stages of the plant’s growth to coexist within a single, economical arrangement.
The generous negative space is crucial to the plate’s character. Nothing competes with the rose: there is no vase, garden or constructed setting, only a faintly modulated ground that sharpens the silhouette of each leaf and petal. Beneath the stem, the names “Rosa Pomponia” and “Rosier Pompon” appear in fine, flowing script. These labels anchor the composition in the conventions of botanical study while also acting as a graceful visual coda to the descending plant.
Context and significance
Redouté worked at a moment when the study of plants and the culture of ornamental gardening were closely intertwined. Botanical publications had to communicate identifying features with sufficient precision, but they could also satisfy an audience drawn to the variety, refinement and collectability of cultivated flowers. Rosa Pomponia embodies that dual purpose particularly well. Its leaf structure, buds, stems and blossoms are presented with disciplined attention, yet their arrangement has the balance and cadence of an independent floral composition.
What continues to distinguish the plate is this absence of conflict between accuracy and elegance. The rose is neither reduced to a diagram nor embellished into fantasy. Instead, Redouté makes close looking itself the source of visual pleasure: the paling edge of a petal, the branching of a vein, the small thorns along a stem and the poised interval between bloom and bud.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre-Joseph Redouté’s Rosa Pomponia, dated 1817, gives a compact spray of pink roses the clarity and presence of a formal portrait. Three densely petalled blossoms gather near the centre, accompanied by tight buds, serrated leaves and slender, thorned stems. The plant leans gently to the right rather than conforming to a rigid symmetry, while the surrounding cream ground leaves every contour unusually exposed. Soft colour and exacting observation work together: the flowers are decorative, but their structure remains scrupulously described.
The study belongs to Redouté’s celebrated floral work published between 1817 and 1824, a period in which botanical illustration served both scientific enquiry and a growing cultivated taste for flowers. Redouté was among the most admired botanical painters of the early nineteenth century, known for reconciling close natural observation with exceptionally poised compositions. His career unfolded within the rarefied world of French botanical publishing and courtly patronage, yet his flower studies avoid theatrical settings. Isolated on pale grounds, their subjects appear at once as specimens to be examined and individual forms worthy of sustained aesthetic attention.
A closer look
The blossoms form the visual centre of gravity. Their many overlapping petals move from warm, concentrated pink in the folded interiors to paler tones along the outer edges. Gentle tonal transitions give each flower a rounded, almost weightless volume, without the dramatic shadows of a conventional still life. One bloom turns sufficiently towards the viewer to reveal its intricate centre, while the neighbouring flowers shift in angle, preventing the cluster from becoming repetitive.
Below and around the roses, the foliage introduces a firmer rhythm. The leaves are built from sharply notched margins and fine networks of veins, with greens ranging from fresh, yellow-tinged notes to deeper shaded passages. Small highlights suggest their smoother upper surfaces, while the stems carry minute prickles that are easy to miss beside the more immediately appealing flowers. At the upper left, two unopened buds provide a quiet counterpoint to the fully expanded blooms, allowing different stages of the plant’s growth to coexist within a single, economical arrangement.
The generous negative space is crucial to the plate’s character. Nothing competes with the rose: there is no vase, garden or constructed setting, only a faintly modulated ground that sharpens the silhouette of each leaf and petal. Beneath the stem, the names “Rosa Pomponia” and “Rosier Pompon” appear in fine, flowing script. These labels anchor the composition in the conventions of botanical study while also acting as a graceful visual coda to the descending plant.
Context and significance
Redouté worked at a moment when the study of plants and the culture of ornamental gardening were closely intertwined. Botanical publications had to communicate identifying features with sufficient precision, but they could also satisfy an audience drawn to the variety, refinement and collectability of cultivated flowers. Rosa Pomponia embodies that dual purpose particularly well. Its leaf structure, buds, stems and blossoms are presented with disciplined attention, yet their arrangement has the balance and cadence of an independent floral composition.
What continues to distinguish the plate is this absence of conflict between accuracy and elegance. The rose is neither reduced to a diagram nor embellished into fantasy. Instead, Redouté makes close looking itself the source of visual pleasure: the paling edge of a petal, the branching of a vein, the small thorns along a stem and the poised interval between bloom and bud.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
