Plumbago coerulea (Plate 34) by Pierre Joseph Redouté, 1827
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1827 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato in the USA
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1827 e stampata in qualità museale. Descrizione completa
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Pierre Joseph Redouté’s Choix des plus belles fleurs pl. 034, dated 1827, presents a slender flowering stem crowned by a loose cluster...
Continua a leggerePierre Joseph Redouté’s Choix des plus belles fleurs pl. 034, dated 1827, presents a slender flowering stem crowned by a loose cluster of pale blue blooms. Rather than filling the composition, the plant rises through an expanse of warm white space, its asymmetrical upper growth steadied by a compact arrangement of green leaves below. The restrained palette and lucid silhouette give the specimen an immediate decorative grace, yet the closely observed petals, veins and serrated leaf edges keep the study firmly rooted in botanical description.
The plate belongs to Redouté’s celebrated early nineteenth-century floral work, produced when botanical books could serve simultaneously as instruments of study and luxurious objects of visual culture. Active within the French court world, Redouté became renowned for combining scientific clarity with an unusually delicate command of colour. His career extended across profound political change, from the final years of the ancien régime into the post-Napoleonic period, but flowers remained his enduring subject. In Choix des plus belles fleurs, that long experience is distilled into images whose refinement never obscures the structure of the plants themselves.
A closer look
The eye is drawn first to the upper cluster, where rounded blue petals overlap without becoming crowded. Their colouring shifts subtly from cool, softly shaded centres towards paler edges, creating volume with remarkably little dramatic contrast. Small buds and pointed green forms interrupt the floral mass, preventing it from becoming a simple cloud of blue. The blooms appear to turn in slightly different directions, allowing their individual forms to be read while preserving the rhythm of the whole spray.
Below, the narrow stem acts as the composition’s central line. Its green changes gently in intensity as it descends towards the leaves, which spread outward to form a quiet visual base. Fine veins articulate each blade, while the toothed margins give the foliage a sharper character than the soft petals above. This opposition between rounded flower and pointed leaf, pale blue and fresh green, gives the plate much of its visual poise.
The spacious ground is as important as the specimen. With no landscape or surrounding vegetation, every branching point and change of contour remains legible. At the foot of the composition, the inscriptions identify the plant as “Dentalire bleu-ciel” and “Plumbago coerulea”; the neat lettering places the floral display within the ordered conventions of botanical illustration. A further name, “Bessins.”, appears at the lower right. These small textual elements anchor the otherwise airy arrangement in the classificatory world of the botanical book.
Context and significance
Redouté worked within a tradition that required two qualities not always easily reconciled: fidelity to natural form and visual elegance. His plates isolate specimens for examination, but he also arranges stems and leaves with the compositional judgement of a flower painter. Here, the upward movement of the stem, the concentration of colour at the top and the broad unoccupied ground transform a botanical record into a carefully balanced study.
The Romantic-era appetite for illustrated flower books reflected both expanding botanical knowledge and a cultivated fascination with the variety of the natural world. Redouté’s particular achievement was to make that knowledge appear effortless. In this plate, modest tonal transitions and exceptionally economical line are enough to suggest the delicacy of petals, the firmness of foliage and the living irregularity of growth.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre Joseph Redouté’s Choix des plus belles fleurs pl. 034, dated 1827, presents a slender flowering stem crowned by a loose cluster of pale blue blooms. Rather than filling the composition, the plant rises through an expanse of warm white space, its asymmetrical upper growth steadied by a compact arrangement of green leaves below. The restrained palette and lucid silhouette give the specimen an immediate decorative grace, yet the closely observed petals, veins and serrated leaf edges keep the study firmly rooted in botanical description.
The plate belongs to Redouté’s celebrated early nineteenth-century floral work, produced when botanical books could serve simultaneously as instruments of study and luxurious objects of visual culture. Active within the French court world, Redouté became renowned for combining scientific clarity with an unusually delicate command of colour. His career extended across profound political change, from the final years of the ancien régime into the post-Napoleonic period, but flowers remained his enduring subject. In Choix des plus belles fleurs, that long experience is distilled into images whose refinement never obscures the structure of the plants themselves.
A closer look
The eye is drawn first to the upper cluster, where rounded blue petals overlap without becoming crowded. Their colouring shifts subtly from cool, softly shaded centres towards paler edges, creating volume with remarkably little dramatic contrast. Small buds and pointed green forms interrupt the floral mass, preventing it from becoming a simple cloud of blue. The blooms appear to turn in slightly different directions, allowing their individual forms to be read while preserving the rhythm of the whole spray.
Below, the narrow stem acts as the composition’s central line. Its green changes gently in intensity as it descends towards the leaves, which spread outward to form a quiet visual base. Fine veins articulate each blade, while the toothed margins give the foliage a sharper character than the soft petals above. This opposition between rounded flower and pointed leaf, pale blue and fresh green, gives the plate much of its visual poise.
The spacious ground is as important as the specimen. With no landscape or surrounding vegetation, every branching point and change of contour remains legible. At the foot of the composition, the inscriptions identify the plant as “Dentalire bleu-ciel” and “Plumbago coerulea”; the neat lettering places the floral display within the ordered conventions of botanical illustration. A further name, “Bessins.”, appears at the lower right. These small textual elements anchor the otherwise airy arrangement in the classificatory world of the botanical book.
Context and significance
Redouté worked within a tradition that required two qualities not always easily reconciled: fidelity to natural form and visual elegance. His plates isolate specimens for examination, but he also arranges stems and leaves with the compositional judgement of a flower painter. Here, the upward movement of the stem, the concentration of colour at the top and the broad unoccupied ground transform a botanical record into a carefully balanced study.
The Romantic-era appetite for illustrated flower books reflected both expanding botanical knowledge and a cultivated fascination with the variety of the natural world. Redouté’s particular achievement was to make that knowledge appear effortless. In this plate, modest tonal transitions and exceptionally economical line are enough to suggest the delicacy of petals, the firmness of foliage and the living irregularity of growth.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
