Centaurea (Plate 37) by Pierre Joseph Redouté, 1805
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1805 e stampata in qualità museale. Descrizione completa
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Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in the USA
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1805 e stampata in qualità museale. Descrizione completa
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Pierre-Joseph Redouté’s Plate 37 from La botanique de J. J. Rousseau, issued in 1805, presents a Centaurea specimen as a poised arrangement...
Continua a leggerePierre-Joseph Redouté’s Plate 37 from La botanique de J. J. Rousseau, issued in 1805, presents a Centaurea specimen as a poised arrangement of three blue flower heads, slender stems and elongated green leaves. The plant rises through a generous field of warm white, its branching structure carefully balanced without appearing rigid. Jagged petals and darker flower bases give the blooms substance, while delicate shifts from clear blue to softer, paler tones preserve their lightness.
Centaurea is a varied genus that includes plants commonly known as knapweeds and cornflowers, although this plate does not supply enough information to assign the specimen a precise species here. Redouté’s treatment belongs to a tradition in which botanical illustration served scientific study while also rewarding aesthetic attention. Created for a work associated with Jean-Jacques Rousseau’s botanical writings, the plate inherits the Enlightenment emphasis on close observation, classification and the direct study of nature. Redouté was particularly admired for bringing exceptional refinement to that task, making each specimen both legible and gracefully composed.
A closer look
The central bloom provides the visual anchor. Its radiating petals form a dense, irregular crown above a subtly shaded base, with two further flowers positioned at different heights to either side. This slight asymmetry prevents the composition from becoming diagrammatic: the eye moves from one head to the next, following the angled stems upwards. Variations in saturation distinguish the individual flowers, from deeper blue within the folded petals to lighter touches along their exposed edges.
Below, the foliage creates a quieter counter-rhythm. Narrow leaves curve away from the stems in alternating directions, their pointed tips and fine veins recorded with restrained precision. Darker greens collect where leaves overlap or meet the stalk, producing a gentle sense of depth without the need for a conventional landscape or setting. A developing bud near the lower left introduces another stage in the plant’s growth, its compact form contrasting with the fully opened flowers above.
The unoccupied ground is integral to the design. Rather than surrounding the Centaurea with decorative scenery, Redouté leaves ample space around every stem and leaf, allowing the specimen’s structure to be read at a glance. Against the faintly creamy background, the blue and green remain fresh but never strident. Soft tonal transitions and exceptionally controlled linework reconcile two distinct aims: the clarity expected of a botanical plate and the visual ease of an independent floral study.
Context and significance
Redouté became one of the defining botanical artists of his era, working in France across a period of profound political and cultural change. His reputation rests especially on his studies of roses, lilies and other cultivated plants, yet plates such as this reveal the broader discipline behind that fame. He was able to isolate the identifying structures of a specimen while preserving its characteristic movement—the slight bend of a stalk, the weight of a flower head, or the irregular spread of foliage.
La botanique de J. J. Rousseau also reflects a moment when botany occupied a place between specialist science and cultivated education. Rousseau’s writings encouraged readers to understand plants through attentive first-hand study, and Redouté’s illustrations gave that principle a compelling visual form. In Plate 37, classification begins with looking: the viewer is guided from flower to bud, from branching stem to leaf vein, discovering how botanical precision can produce a composition of remarkable economy and grace.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre-Joseph Redouté’s Plate 37 from La botanique de J. J. Rousseau, issued in 1805, presents a Centaurea specimen as a poised arrangement of three blue flower heads, slender stems and elongated green leaves. The plant rises through a generous field of warm white, its branching structure carefully balanced without appearing rigid. Jagged petals and darker flower bases give the blooms substance, while delicate shifts from clear blue to softer, paler tones preserve their lightness.
Centaurea is a varied genus that includes plants commonly known as knapweeds and cornflowers, although this plate does not supply enough information to assign the specimen a precise species here. Redouté’s treatment belongs to a tradition in which botanical illustration served scientific study while also rewarding aesthetic attention. Created for a work associated with Jean-Jacques Rousseau’s botanical writings, the plate inherits the Enlightenment emphasis on close observation, classification and the direct study of nature. Redouté was particularly admired for bringing exceptional refinement to that task, making each specimen both legible and gracefully composed.
A closer look
The central bloom provides the visual anchor. Its radiating petals form a dense, irregular crown above a subtly shaded base, with two further flowers positioned at different heights to either side. This slight asymmetry prevents the composition from becoming diagrammatic: the eye moves from one head to the next, following the angled stems upwards. Variations in saturation distinguish the individual flowers, from deeper blue within the folded petals to lighter touches along their exposed edges.
Below, the foliage creates a quieter counter-rhythm. Narrow leaves curve away from the stems in alternating directions, their pointed tips and fine veins recorded with restrained precision. Darker greens collect where leaves overlap or meet the stalk, producing a gentle sense of depth without the need for a conventional landscape or setting. A developing bud near the lower left introduces another stage in the plant’s growth, its compact form contrasting with the fully opened flowers above.
The unoccupied ground is integral to the design. Rather than surrounding the Centaurea with decorative scenery, Redouté leaves ample space around every stem and leaf, allowing the specimen’s structure to be read at a glance. Against the faintly creamy background, the blue and green remain fresh but never strident. Soft tonal transitions and exceptionally controlled linework reconcile two distinct aims: the clarity expected of a botanical plate and the visual ease of an independent floral study.
Context and significance
Redouté became one of the defining botanical artists of his era, working in France across a period of profound political and cultural change. His reputation rests especially on his studies of roses, lilies and other cultivated plants, yet plates such as this reveal the broader discipline behind that fame. He was able to isolate the identifying structures of a specimen while preserving its characteristic movement—the slight bend of a stalk, the weight of a flower head, or the irregular spread of foliage.
La botanique de J. J. Rousseau also reflects a moment when botany occupied a place between specialist science and cultivated education. Rousseau’s writings encouraged readers to understand plants through attentive first-hand study, and Redouté’s illustrations gave that principle a compelling visual form. In Plate 37, classification begins with looking: the viewer is guided from flower to bud, from branching stem to leaf vein, discovering how botanical precision can produce a composition of remarkable economy and grace.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
