Woman Writing by August Macke, 1910
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1910 e stampata in qualità museale. Descrizione completa
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Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in the USA
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1910 e stampata in qualità museale. Descrizione completa
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August Macke’s Woman Writing, painted in 1910, turns a private, everyday activity into an animated arrangement of colour and shape. Seen in...
Continua a leggereAugust Macke’s Woman Writing, painted in 1910, turns a private, everyday activity into an animated arrangement of colour and shape. Seen in profile with her head bowed, the woman occupies the left of the composition, her concentrated pose set against a loosely constructed interior. Greens and clear yellows dominate, punctuated by black contours, white, blue and a narrow accent of orange at her collar. The subject is quiet, but the painting is not: broad patches of colour create a lively rhythm around the still figure.
Macke was a leading figure in German Expressionism and became closely associated with Der Blaue Reiter, the Munich-based circle that brought together artists seeking new expressive possibilities for colour and form. Made at a moment of rapid change in European painting, Woman Writing reveals his particular ability to reconcile avant-garde simplification with recognisable human experience. Rather than dissolving the scene into complete abstraction, he preserves the intimacy of the domestic subject while allowing colour, contour and surface to carry much of its emotional and visual force.
A closer look
The woman’s curved posture establishes the composition’s central movement. Her dark hair is gathered into a bun, with subtly varied brown and black tones giving it volume, while the pale blouse shifts between white and cool green. A thin orange edging brings a small but decisive note of warmth near her face. Macke does not describe her features minutely; the inclination of the head and the forward reach of the body are enough to convey absorbed attention.
Below her, the yellow writing surface forms one of the painting’s strongest areas of colour. Its darker edge gives the table or desk a degree of spatial definition, yet the surrounding forms remain deliberately compressed. This tension between shallow depth and overlapping planes lends the interior its modern character. The figure belongs convincingly within the room, but she also reads as a sequence of interlocking silhouettes: dark hair, pale clothing, bent arm and the strong yellow plane beneath.
The background is assembled from irregular passages rather than meticulously recorded furnishings. A light-green area at the upper left introduces a sense of ambient illumination, while the upper right contains a framed rectangular motif with cooler blue and white notes. These touches prevent the surrounding greens and yellows from becoming uniform. Visible brushstrokes soften the boundaries between one area and the next, and the patchwork treatment of the wall, clothing and furniture gives the entire surface a decorative coherence. Even the quieter lower portion of the composition plays a role, leaving space around the concentrated action above.
Context and significance
Macke’s Expressionism is notable for its openness to pleasure, modern life and luminous colour. While other artists associated with the movement often pursued distortion or psychological intensity, his paintings frequently find their energy in ordinary figures, leisure, clothing and familiar surroundings. In Woman Writing, modernity is expressed less through the subject itself than through the manner of seeing: detail is condensed, conventional modelling is reduced and colour becomes an organising structure in its own right.
The painting also belongs to the fertile period immediately before Der Blaue Reiter emerged as a formal group. Macke’s career was exceptionally brief—he died in 1914 during the opening weeks of the First World War—but his work occupies a distinctive place in early twentieth-century German art. Woman Writing demonstrates why: it is intimate without being sentimental, formally adventurous without losing sight of the person at its centre, and vivid enough to make a moment of private concentration feel thoroughly modern.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Woman Writing, painted in 1910, turns a private, everyday activity into an animated arrangement of colour and shape. Seen in profile with her head bowed, the woman occupies the left of the composition, her concentrated pose set against a loosely constructed interior. Greens and clear yellows dominate, punctuated by black contours, white, blue and a narrow accent of orange at her collar. The subject is quiet, but the painting is not: broad patches of colour create a lively rhythm around the still figure.
Macke was a leading figure in German Expressionism and became closely associated with Der Blaue Reiter, the Munich-based circle that brought together artists seeking new expressive possibilities for colour and form. Made at a moment of rapid change in European painting, Woman Writing reveals his particular ability to reconcile avant-garde simplification with recognisable human experience. Rather than dissolving the scene into complete abstraction, he preserves the intimacy of the domestic subject while allowing colour, contour and surface to carry much of its emotional and visual force.
A closer look
The woman’s curved posture establishes the composition’s central movement. Her dark hair is gathered into a bun, with subtly varied brown and black tones giving it volume, while the pale blouse shifts between white and cool green. A thin orange edging brings a small but decisive note of warmth near her face. Macke does not describe her features minutely; the inclination of the head and the forward reach of the body are enough to convey absorbed attention.
Below her, the yellow writing surface forms one of the painting’s strongest areas of colour. Its darker edge gives the table or desk a degree of spatial definition, yet the surrounding forms remain deliberately compressed. This tension between shallow depth and overlapping planes lends the interior its modern character. The figure belongs convincingly within the room, but she also reads as a sequence of interlocking silhouettes: dark hair, pale clothing, bent arm and the strong yellow plane beneath.
The background is assembled from irregular passages rather than meticulously recorded furnishings. A light-green area at the upper left introduces a sense of ambient illumination, while the upper right contains a framed rectangular motif with cooler blue and white notes. These touches prevent the surrounding greens and yellows from becoming uniform. Visible brushstrokes soften the boundaries between one area and the next, and the patchwork treatment of the wall, clothing and furniture gives the entire surface a decorative coherence. Even the quieter lower portion of the composition plays a role, leaving space around the concentrated action above.
Context and significance
Macke’s Expressionism is notable for its openness to pleasure, modern life and luminous colour. While other artists associated with the movement often pursued distortion or psychological intensity, his paintings frequently find their energy in ordinary figures, leisure, clothing and familiar surroundings. In Woman Writing, modernity is expressed less through the subject itself than through the manner of seeing: detail is condensed, conventional modelling is reduced and colour becomes an organising structure in its own right.
The painting also belongs to the fertile period immediately before Der Blaue Reiter emerged as a formal group. Macke’s career was exceptionally brief—he died in 1914 during the opening weeks of the First World War—but his work occupies a distinctive place in early twentieth-century German art. Woman Writing demonstrates why: it is intimate without being sentimental, formally adventurous without losing sight of the person at its centre, and vivid enough to make a moment of private concentration feel thoroughly modern.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
Questo servizio non è attualmente disponibile,
ci scusiamo per l'inconveniente.
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August Macke’s Woman Writing, painted in 1910, turns a private, everyday activity into an animated arrangement of colour and shape. Seen in profile with her head bowed, the woman occupies the left of the composition, her concentrated pose set against a loosely constructed interior. Greens and clear yellows dominate, punctuated by black contours, white, blue and a narrow accent of orange at her collar. The subject is quiet, but the painting is not: broad patches of colour create a lively rhythm around the still figure.
Macke was a leading figure in German Expressionism and became closely associated with Der Blaue Reiter, the Munich-based circle that brought together artists seeking new expressive possibilities for colour and form. Made at a moment of rapid change in European painting, Woman Writing reveals his particular ability to reconcile avant-garde simplification with recognisable human experience. Rather than dissolving the scene into complete abstraction, he preserves the intimacy of the domestic subject while allowing colour, contour and surface to carry much of its emotional and visual force.
A closer look
The woman’s curved posture establishes the composition’s central movement. Her dark hair is gathered into a bun, with subtly varied brown and black tones giving it volume, while the pale blouse shifts between white and cool green. A thin orange edging brings a small but decisive note of warmth near her face. Macke does not describe her features minutely; the inclination of the head and the forward reach of the body are enough to convey absorbed attention.
Below her, the yellow writing surface forms one of the painting’s strongest areas of colour. Its darker edge gives the table or desk a degree of spatial definition, yet the surrounding forms remain deliberately compressed. This tension between shallow depth and overlapping planes lends the interior its modern character. The figure belongs convincingly within the room, but she also reads as a sequence of interlocking silhouettes: dark hair, pale clothing, bent arm and the strong yellow plane beneath.
The background is assembled from irregular passages rather than meticulously recorded furnishings. A light-green area at the upper left introduces a sense of ambient illumination, while the upper right contains a framed rectangular motif with cooler blue and white notes. These touches prevent the surrounding greens and yellows from becoming uniform. Visible brushstrokes soften the boundaries between one area and the next, and the patchwork treatment of the wall, clothing and furniture gives the entire surface a decorative coherence. Even the quieter lower portion of the composition plays a role, leaving space around the concentrated action above.
Context and significance
Macke’s Expressionism is notable for its openness to pleasure, modern life and luminous colour. While other artists associated with the movement often pursued distortion or psychological intensity, his paintings frequently find their energy in ordinary figures, leisure, clothing and familiar surroundings. In Woman Writing, modernity is expressed less through the subject itself than through the manner of seeing: detail is condensed, conventional modelling is reduced and colour becomes an organising structure in its own right.
The painting also belongs to the fertile period immediately before Der Blaue Reiter emerged as a formal group. Macke’s career was exceptionally brief—he died in 1914 during the opening weeks of the First World War—but his work occupies a distinctive place in early twentieth-century German art. Woman Writing demonstrates why: it is intimate without being sentimental, formally adventurous without losing sight of the person at its centre, and vivid enough to make a moment of private concentration feel thoroughly modern.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.