Philippines Travel Poster: Fly Northwest Orient Airlines, 1955

4.9 (84 recensioni)
Stampato e incorniciato in Stati Uniti
Consegna gratuita in 2–3 giorni
Resi entro 90 giorni · Garanzia di 10 anni
4.8/5 Eccellente
Opera dell’artista originale Mai generata dall’IA
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Restaurata nel nostro laboratorio dall’opera originale del 1955 e stampata in qualità museale. Descrizione completa
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Dating from 1955, Philippines – Fly Northwest Orient Airlines presents the archipelago through a vivid shorthand of air, water and mountainous terrain....

Dating from 1955, Philippines – Fly Northwest Orient Airlines presents the archipelago through a vivid shorthand of air, water and mountainous terrain. A streamlined passenger aircraft crosses the upper portion of the design, while below it a striped sailing boat moves across curling blue water. Between the two, layered hills, white domed buildings and a solid red sun are set against a field of brilliant yellow. The result is less a literal view than a carefully compressed vision of the destination: warm, expansive and immediately legible.

The poster belongs to the post-war expansion of international commercial aviation, when airline advertising played a powerful role in shaping how distant places were imagined. Rather than concentrating on the mechanics of flight, such campaigns commonly sold the character of a destination—its climate, landscape and perceived romance—while presenting air travel as modern and increasingly attainable. Here, Northwest Orient Airlines connects its own sleek aircraft with a decorative vision of the Philippines, placing contemporary transport above a scene assembled from maritime, architectural and tropical motifs.

A closer look

The composition moves along a broad diagonal from the aircraft near the upper left to the boat in the lower foreground. Between them sits the red sun, a compact disc of colour that acts as a visual hinge. Its warmth is amplified by the yellow ground, while the aeroplane’s blue detailing and red tail establish the limited palette that governs the poster as a whole. Rounded white clouds at the upper right soften the aircraft’s sharp profile and preserve an airy sense of space around it.

Across the middle distance, blue hills overlap in shallow layers. Their changing tones suggest recession without relying on naturalistic shading, while their simplified contours give the landscape an almost emblematic clarity. The two white domed structures below provide a crisp architectural counterpoint: their fine roof outlines and small contrasting details briefly interrupt the larger expanses of flat colour. Nothing is allowed to become visually crowded; generous areas of open yellow keep each motif distinct.

The boat is among the most animated elements. Its sail alternates bands of yellow, red and black, and two small passengers lend scale to the surrounding landscape. Beneath it, repeated blue curls turn the water into a rhythmic pattern rather than a conventionally rendered surface. This ornamental treatment continues through the rounded clouds and rolling mountains, binding sky, land and sea into one coherent graphic language. Above and below the illustration, the bold sans-serif lettering—“PHILIPPINES” and “Fly Northwest Orient Airlines”—forms a firm typographic frame.

Context and significance

Mid-century travel posters had to communicate at a glance, whether encountered in an agency, station or other public setting. This design achieves that economy through flat colour, strong silhouettes and a clear hierarchy: destination first, enticing scene second, airline name as the concluding instruction. The absence of extensive descriptive text is integral to its effect. The aircraft embodies speed and connection, while the scene beneath supplies a memorable identity for the place being promoted.

The poster is also revealing as an artefact of how destinations were packaged for international audiences in the 1950s. The Philippines is represented not through a single identifiable panorama, but through an idealised synthesis of sea travel, distinctive architecture, mountainous geography and radiant weather. That simplification is part of the period’s advertising vocabulary. Yet the image remains visually engaging because its message is delivered with such discipline: a few bold forms, a tightly controlled palette and a sweeping movement from modern aircraft to patterned water.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 20x16in (50x40cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.

Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.

Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.

  • Possiamo consegnare direttamente al destinatario
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.

Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.

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Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.

Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.

Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.

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