Mt. Katahdin from Togue Pond by Frederic Edwin Church, 1875
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Progettato a Londra • Prodotto in the USA
Progettato a Londra • Prodotto in the USA
Restaurata dall’opera originale del 1878 e stampata in qualità museale. Leggi la storia dietro quest’opera
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Mt. Katahdin from Togue Pond (1878) by Frederic Edwin Church invites you into one of the most iconic vistas in American landscape...
Continua a leggereMt. Katahdin from Togue Pond (1878) by Frederic Edwin Church invites you into one of the most iconic vistas in American landscape painting: the rugged summit of Maine’s highest peak rising beyond the still, reflective waters of Togue Pond. A leading figure of the Hudson River School, Church fused exacting natural observation with a romantic sense of grandeur, transforming a precise topographic view into a stirring meditation on wilderness, light, and national identity. Here, a luminous sky glows across the lake’s mirror surface, while warm earth tones knit the composition into a serene, memorable vision.
This listing offers a museum-quality fine art print of Church’s painting, produced with archival pigments for lasting color fidelity. Choose from acid-free, heavyweight paper or richly textured artist’s cotton canvas. The Unique Maps Co. provides a range of sizes to suit intimate studies or statement walls, along with optional framing in gallery-grade mouldings. Personalization and customization—such as a commemorative inscription or tailored sizing—are available upon request to make your piece uniquely yours.
Frederic Edwin Church (1826–1900) was the star pupil of Thomas Cole and one of the most celebrated American landscape painters of the nineteenth century. Revered for panoramic compositions and atmospheric effects, Church traveled widely and painted with a blend of scientific attentiveness and poetic ambition. His work helped define how Americans pictured their own wilderness—both as a place of careful study and as a stage for the sublime.
Mount Katahdin and its surrounding lakes became a touchstone subject in nineteenth-century culture, admired for its remoteness and dramatic silhouette. In the decades after the Civil War, scenes like this resonated with viewers hungry for images of the nation’s vast, unspoiled spaces. Church’s 1878 view bridges faithful geography with emotion: the measured contours of the mountain and treeline anchor a composition that celebrates reflection—literal and spiritual—in a landscape long associated with contemplation and exploration.
The painting’s warm, orange-gold atmosphere transitions through beige and umber into muted greens along the shore, suggesting the hush of dawn or the quiet exhale of late afternoon. Smooth, layered brushwork softens edges, while the glassy water doubles the mountain’s silhouette in a refined play of symmetry. Subtle gradients and an expertly handled atmospheric perspective deepen space without harsh lines, imbuing the scene with an ethereal calm. Owners prize this print for its balanced design and tranquil palette—an effortless way to bring natural serenity and nineteenth-century artistry into contemporary interiors.
A timeless choice for nature lovers and art enthusiasts alike, this fine art print makes a thoughtful gift for Christmas, Mother’s Day, Father’s Day, housewarmings, anniversaries, or for anyone who has hiked in Maine or holds fond memories of New England’s wild places.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 36x20in (90x50cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Mt. Katahdin from Togue Pond (1878) by Frederic Edwin Church invites you into one of the most iconic vistas in American landscape painting: the rugged summit of Maine’s highest peak rising beyond the still, reflective waters of Togue Pond. A leading figure of the Hudson River School, Church fused exacting natural observation with a romantic sense of grandeur, transforming a precise topographic view into a stirring meditation on wilderness, light, and national identity. Here, a luminous sky glows across the lake’s mirror surface, while warm earth tones knit the composition into a serene, memorable vision.
This listing offers a museum-quality fine art print of Church’s painting, produced with archival pigments for lasting color fidelity. Choose from acid-free, heavyweight paper or richly textured artist’s cotton canvas. The Unique Maps Co. provides a range of sizes to suit intimate studies or statement walls, along with optional framing in gallery-grade mouldings. Personalization and customization—such as a commemorative inscription or tailored sizing—are available upon request to make your piece uniquely yours.
Frederic Edwin Church (1826–1900) was the star pupil of Thomas Cole and one of the most celebrated American landscape painters of the nineteenth century. Revered for panoramic compositions and atmospheric effects, Church traveled widely and painted with a blend of scientific attentiveness and poetic ambition. His work helped define how Americans pictured their own wilderness—both as a place of careful study and as a stage for the sublime.
Mount Katahdin and its surrounding lakes became a touchstone subject in nineteenth-century culture, admired for its remoteness and dramatic silhouette. In the decades after the Civil War, scenes like this resonated with viewers hungry for images of the nation’s vast, unspoiled spaces. Church’s 1878 view bridges faithful geography with emotion: the measured contours of the mountain and treeline anchor a composition that celebrates reflection—literal and spiritual—in a landscape long associated with contemplation and exploration.
The painting’s warm, orange-gold atmosphere transitions through beige and umber into muted greens along the shore, suggesting the hush of dawn or the quiet exhale of late afternoon. Smooth, layered brushwork softens edges, while the glassy water doubles the mountain’s silhouette in a refined play of symmetry. Subtle gradients and an expertly handled atmospheric perspective deepen space without harsh lines, imbuing the scene with an ethereal calm. Owners prize this print for its balanced design and tranquil palette—an effortless way to bring natural serenity and nineteenth-century artistry into contemporary interiors.
A timeless choice for nature lovers and art enthusiasts alike, this fine art print makes a thoughtful gift for Christmas, Mother’s Day, Father’s Day, housewarmings, anniversaries, or for anyone who has hiked in Maine or holds fond memories of New England’s wild places.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 36x20in (90x50cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
My maps are extremely high quality reproductions of original maps.
I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.
My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.
I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.
I can also make maps on canvas, cotton rag and other exotic materials.
Learn more about The Unique Maps Co.
Map personalisation
If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.
The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.
To order a personalised map, select "personalise your map" before adding it to your basket.
Get in touch if you're looking for more complex customisations and personalisations.
Map ageing
I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.
Well, now you can, by selecting Aged before you add a map to your basket.
All the product photos you see on this page show the map in its Original form. This is what the map looks like today.
If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!
If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.
Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.
Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.
Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.
Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.
Questo servizio non è attualmente disponibile,
ci scusiamo per l'inconveniente.
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Mt. Katahdin from Togue Pond (1878) by Frederic Edwin Church invites you into one of the most iconic vistas in American landscape painting: the rugged summit of Maine’s highest peak rising beyond the still, reflective waters of Togue Pond. A leading figure of the Hudson River School, Church fused exacting natural observation with a romantic sense of grandeur, transforming a precise topographic view into a stirring meditation on wilderness, light, and national identity. Here, a luminous sky glows across the lake’s mirror surface, while warm earth tones knit the composition into a serene, memorable vision.
This listing offers a museum-quality fine art print of Church’s painting, produced with archival pigments for lasting color fidelity. Choose from acid-free, heavyweight paper or richly textured artist’s cotton canvas. The Unique Maps Co. provides a range of sizes to suit intimate studies or statement walls, along with optional framing in gallery-grade mouldings. Personalization and customization—such as a commemorative inscription or tailored sizing—are available upon request to make your piece uniquely yours.
Frederic Edwin Church (1826–1900) was the star pupil of Thomas Cole and one of the most celebrated American landscape painters of the nineteenth century. Revered for panoramic compositions and atmospheric effects, Church traveled widely and painted with a blend of scientific attentiveness and poetic ambition. His work helped define how Americans pictured their own wilderness—both as a place of careful study and as a stage for the sublime.
Mount Katahdin and its surrounding lakes became a touchstone subject in nineteenth-century culture, admired for its remoteness and dramatic silhouette. In the decades after the Civil War, scenes like this resonated with viewers hungry for images of the nation’s vast, unspoiled spaces. Church’s 1878 view bridges faithful geography with emotion: the measured contours of the mountain and treeline anchor a composition that celebrates reflection—literal and spiritual—in a landscape long associated with contemplation and exploration.
The painting’s warm, orange-gold atmosphere transitions through beige and umber into muted greens along the shore, suggesting the hush of dawn or the quiet exhale of late afternoon. Smooth, layered brushwork softens edges, while the glassy water doubles the mountain’s silhouette in a refined play of symmetry. Subtle gradients and an expertly handled atmospheric perspective deepen space without harsh lines, imbuing the scene with an ethereal calm. Owners prize this print for its balanced design and tranquil palette—an effortless way to bring natural serenity and nineteenth-century artistry into contemporary interiors.
A timeless choice for nature lovers and art enthusiasts alike, this fine art print makes a thoughtful gift for Christmas, Mother’s Day, Father’s Day, housewarmings, anniversaries, or for anyone who has hiked in Maine or holds fond memories of New England’s wild places.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 36x20in (90x50cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

