{"product_id":"three-flowered-iris-iris-triflora-plate-60-by-pierre-joseph-redoute-1805","title":"Three-Flowered Iris (Iris triflora, Plate 60) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLes Liliacées, Plate 60\u003c\/em\u003e, published in 1805, presents an iris identified in the lower margin as \u003cem\u003eIris triflora\u003c\/em\u003e, with the French name \u003cem\u003eIris à trois fleurs\u003c\/em\u003e. The plant rises almost the full height of the composition: slender, blade-like leaves frame a cluster of blue flowers, while warm brown bulbs and a delicate network of roots remain exposed below. This complete view—from blossom to root—gives the plate both scientific clarity and an unusually strong visual rhythm.\u003c\/p\u003e\n\n\u003cp\u003eThe illustration belongs to Redouté’s celebrated \u003cem\u003eLes Liliacées\u003c\/em\u003e, a major early nineteenth-century series devoted to lilies and related plants. Redouté became renowned for uniting close botanical observation with exceptional compositional refinement. At a time of expanding interest in identifying and cataloguing the natural world, his plates served an informative purpose without sacrificing the expressive qualities of colour, line and arrangement. Here, the iris is treated not as a decorative bouquet but as an individual specimen, carefully isolated and made legible against a pale, unencumbered ground.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe strongest colour is concentrated around the flowers. Their petals move through gradations of deep blue, violet-blue and paler, almost luminous tones, punctuated by restrained yellow markings near the centres. Fine lines follow the folds and veins of each petal, while gentle shading distinguishes overlapping forms. The blooms do not face in a single direction: one opens more fully towards the viewer, while neighbouring flowers turn or partially conceal themselves, creating a lively sequence of silhouettes rather than a rigidly symmetrical cluster.\u003c\/p\u003e\n\n\u003cp\u003eAbove and around them, the long green leaves introduce a contrasting linear structure. Some stand nearly upright; others lean across the central stem or taper into the surrounding negative space. Their edges are crisply defined, but subtle tonal shifts prevent them from appearing flat. The cool blues and greens are anchored at the lower centre by the earthy bulbs and roots, whose branching filaments are described with particular delicacy. This subterranean detail completes the botanical account while adding a looser, more intricate texture beneath the controlled verticals of the foliage.\u003c\/p\u003e\n\n\u003cp\u003eSmaller, paler studies near the principal specimen are easy to overlook. A faintly rendered form at the upper left and lighter foliage to the right function as supplementary observations, visually subordinate to the central plant. The lower inscription is equally discreet: the Latin and French names sit beneath the roots in an elegant script, reinforcing the plate’s place between scientific record and cultivated book illustration.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté’s enduring distinction lies in this balance of accuracy and grace. Botanical illustration required structures to be recognisable and useful for study, yet his arrangements rarely feel diagrammatic. He used open space to clarify the specimen, modulation of colour to suggest volume, and carefully judged asymmetry to give the plant a natural sense of growth. The result reflects an era in which botanical publishing brought together science, horticulture and connoisseurship, allowing plants to be examined through images of remarkable precision.\u003c\/p\u003e\n\n\u003cp\u003ePlate 60 is especially compelling because it preserves the iris as a complete organism while allowing its blue flowers to command the composition. The eye moves naturally from the fine roots and clustered bulbs, through the upright leaves, to the unfolding petals above—a measured ascent that transforms botanical description into an elegant study of structure, colour and living form.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/fr\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/fr\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/fr\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/fr\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/fr\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59999896863104,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59999896895872,"sku":null,"price":81.0,"currency_code":"USD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59999896928640,"sku":null,"price":95.0,"currency_code":"USD","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59999896961408,"sku":null,"price":53.0,"currency_code":"USD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59999896994176,"sku":null,"price":142.0,"currency_code":"USD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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