{"product_id":"eryngium-plate-29-by-pierre-joseph-redoute-1805","title":"Eryngium (Plate 29) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLa botanique de J. J. Rousseau, Pl. 29\u003c\/em\u003e, issued in 1805, presents an \u003cem\u003eEryngium\u003c\/em\u003e—a member of the genus commonly known as sea holly—with exceptional clarity. A slender central stem rises through the pale ground before dividing into outward-reaching branches, serrated foliage and compact flower clusters. The plant’s angular structure gives the composition an almost architectural rhythm: dense, spiny forms are held in equilibrium by generous areas of empty space.\u003c\/p\u003e\n\n\u003cp\u003eThe plate was created for \u003cem\u003eLa botanique de J. J. Rousseau\u003c\/em\u003e, a publication inspired by Jean-Jacques Rousseau’s interest in plants and attentive observation of the natural world. It belongs to a period in which botanical books brought scientific classification into close alliance with accomplished draughtsmanship. Redouté was one of the defining botanical artists of this tradition, renowned for images that made specimens legible without stripping them of their individual character. Here, exacting linework and restrained colour transform a study intended to inform into an elegant portrait of a single plant.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe eye is first drawn upwards along the tall stem, which acts as the plate’s visual spine. From it, leaves and smaller branches extend at alternating angles, producing a measured balance rather than rigid symmetry. The lower foliage is broader and more emphatic, its deeply cut edges and pronounced veins carefully articulated. As the plant ascends, the forms become finer and more intricate, culminating in pale flower heads surrounded by sharply pointed structures.\u003c\/p\u003e\n\n\u003cp\u003eRedouté’s greens are notably varied. Deeper tones gather near the central veins and overlapping leaves, while lighter yellow-green passages describe thinner edges and newly emerging growth. Pale yellow and creamy white accents distinguish the upper clusters from the foliage beneath. These transitions are subtle, preserving the specimen’s unity while allowing each part—stem, leaf, branch and flower—to remain visually intelligible.\u003c\/p\u003e\n\n\u003cp\u003eMuch of the plate’s precision lies in its smallest marks. Fine hatching and stippled touches suggest texture and shallow shadow; slender lines follow the course of the leaf veins; minute projections enliven the flower clusters. Where leaves overlap, restrained shading establishes depth without sacrificing the crispness of their contours. The spacious background is equally important: isolated from any habitat, the \u003cem\u003eEryngium\u003c\/em\u003e can be studied almost as a diagram, yet the slight irregularities of its branching retain the organic character of a living specimen.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté worked at a moment when botanical illustration served several audiences at once. It was a means of recording and distinguishing plants, an educational tool for readers of natural history, and a cultivated art form appreciated for its refinement. His best-known botanical studies—including his celebrated treatments of roses and lilies—are distinguished by this reconciliation of analytical detail with compositional grace. Plate 29 applies the same discipline to a less conventionally luxuriant subject: the visual interest comes not from abundant petals, but from branching geometry, sharp foliage and minute structural variation.\u003c\/p\u003e\n\n\u003cp\u003eRousseau’s connection lends the publication a further intellectual dimension. His botanical interests formed part of a wider culture of direct engagement with nature, in which close looking could be both systematic and personally absorbing. Redouté’s \u003cem\u003eEryngium\u003c\/em\u003e embodies that ideal particularly well. It rewards examination from the overall silhouette down to the pale vein running through an individual leaf, balancing the order of classification with the irreducible particularity of the plant itself.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/fr\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/fr\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/fr\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/fr\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/fr\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59958056878464,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59958056911232,"sku":null,"price":82.0,"currency_code":"USD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59958056944000,"sku":null,"price":95.0,"currency_code":"USD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59958056976768,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59958057009536,"sku":null,"price":82.0,"currency_code":"USD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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